No joke: Ledger‘s Batman villain has Oscar shot

By DAVID GERMAIN, AP Movie Writer 30 minutes ago

LOS ANGELES - Jack Nicholson‘s Joker was a blast. Heath Ledger‘s Joker is as dark and anarchic a figure as Randle McMurphy in "One Flew Over the Cuckoo‘s Nest," the role that brought Nicholson his first Academy Award.

"I do think that Heath has created an iconic villain that will stand for the ages, and of course, I would love to see him get an award," said Christian Bale, who reprises his "Batman Begins" role as the tormented crime fighter. "But you know, to me, you can witness his talent, celebrate his talent within this movie. Anything else is gravy."

"He may be the first actor since Peter Finch. He may even win the damn thing," said Gary Oldman, who co-stars as noble cop Jim Gordon in "The Dark Knight," which hits theaters July 18.

News of Ledger‘s death at age 28 from an accidental drug overdose broke just hours after the Oscar nominations were announced last January, darkening what normally is one of Hollywood‘s happiest days. The nominations next year fall on the same date because they were moved back two days from their traditional Tuesday announcement to avoid conflicting with the presidential inauguration.

As filming progressed last year, word began leaking from the set about the feverishly psychotic persona Ledger was creating.

"Whatever Heath channeled into, he‘s found something quite extraordinary," Oldman said. "It‘s arguably one of the greatest screen villains I think I‘ve ever seen."

Skepticism dissolved once Warner Bros. began screenings for "The Dark Knight."

Ledger‘s performance is surpassing even the sky-high expectations hardcore fans have going in.

Along with Finch, past posthumous Oscar contenders include James Dean, who was nominated for best actor twice after his death, with 1955‘s "East of Eden" and 1956‘s "Giant."

The aura surrounding Ledger since his death is a sign that, like Dean, he could endure as a mythic figure of talent silenced before his time. Ledger had a best-actor nomination for 2005‘s "Brokeback Mountain" and was considered a gifted performer just coming into his own.

That will not necessarily improve his Oscar chances. Dean had two shots after his death and lost both.

"The fact that only one actor has ever won an Oscar from the grave tells us that in general at the Oscars, the feeling is when you‘re dead, you‘re dead," said Tom O‘Neil, a columnist for TheEnvelope.com, an awards Web site. "Maybe the point is that the Oscars are all about hugs. Nobody wants to hug a dead guy."

Oscar voters tend to hand out the trophies for heroic or sympathetic roles, so Ledger‘s supremely evil characterization could prove a drawback along with the action-genre stigma.

Yet there are notable instances when actors playing villains made such an impression that academy members could not resist voting for them.

Besides Hopkins as cannibalistic killer Lecter, bad guys who won include Fredric March in the title role of 1932‘s "Dr. Jekyll and Mr. Hyde"; F. Murray Abraham as Mozart‘s mortal enemy in 1984‘s "Amadeus"; Kathy Bates as a novelist‘s demented fan in 1990‘s "Misery"; Denzel Washington as a corrupt cop in 2001‘s "Training Day"; and Charlize Theron as a serial killer in 2003‘s "Monster."

The last two years have brought Oscar wins by Forest Whitaker as brutal dictator Idi Amin in "The Last King of Scotland," Tilda Swinton as a murderously ruthless attorney in "Michael Clayton," Daniel Day-Lewis as a savage oilman in "There Will Be Blood" and Javier Bardem as a psychopathic killer in "No Country for Old Men."

"When a performance as a villain is that memorable, it can be held up as being that much more special," said Chuck Walton, managing editor of online movie-ticket site Fandango.com. "Oscar voters have a lot of respect for actors willing to really let themselves go and inhabit darker roles."

Warner Bros. and the filmmakers are profuse in their praise of Ledger but have been diplomatic about the Oscar talk. Awards publicity generally pads a movie‘s box-office and DVD receipts, and the studio has cautiously avoided any appearance of profiting from the added attention Ledger‘s death has brought to the film.

"The Dark Knight" director Christopher Nolan sidestepped the Oscar question, saying that he was simply happy that early viewers were responding to the performance the way Ledger would have liked.



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